The Artist

Rex WEST: The Last Pornographer

Joseph C. Fifield, who later crafted a new identity as REX, was born into complex circumstances in the early 1940s. His early years were marked by abandonment when his mother left him, setting a precedent for the sense of desertion that would haunt him throughout his life. Adopted into the solid framework of a middle-class family in Meriden, Connecticut, he was afforded the stability that most would envy, yet this environment did little to quench his insatiable thirst for reinvention.

After graduating in the early 1960s, Joseph Fifield took a bold leap into the vibrant expanse of New York City, driven by the alluring promise of an artistic career. A fortuitous meeting with a celebrated fashion designer became a turning point, sponsoring his education at the renowned School of Visual Arts in New York.

The mid-1960s found him swept into the glitzy whirl of London and Paris, where the tentacles of haute couture sought to tighten around him. While the lavish travels across Europe offered him exposure to a world vibrant with possibility, they also revealed a veneer of polished superficiality that he instinctively rejected.

At the heart of his work lay an audacious exploration of male sexuality, depicted through a lens that refused artifice and embraced the phallus as a symbol of raw power and vulnerability. This unwavering focus became a barrier to acceptance within the traditional art world—yet it reinforced a resolute defiance that shaped his evolution into a provocateur who celebrated the very attributes that others condemned.

The Archive

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Contributions

  • Introduction to Speeding: The Old Reliable Photos of David Hurles (2005)

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